
Film Edited by Knox Grad Nominated for Two Oscars
Behind the scenes with Chris Murrie and Kubo and the Two Strings:
One of my biggest challenges was finding the correct balance of tone, both in terms of narrative and character. Like our other films, we tried to find a sweet spot between humor, honest emotion, and real peril.
Considering that Kubo features talking animals, high flying martial arts, and giant monsters; it was paramount for us to keep real, earnest emotional grounding underneath all of the bombast and spectacle.
Kubo is asking children to confront the mortality of their parents, which is a topic that needs very careful treatment. As a result, we had to always be very deliberate about keeping the tonal elements balanced and complimentary. Action beats can be exciting and thrilling, but we can't overstep into horror. Comedy beats can be fun and useful to release tension, but they can't undercut what we consider very real and serious emotional truths.
It was very important to me that each of the action set pieces also be tonally unique in and of themselves, and that they should reflect the inner emotional states of the characters.
Character wise, Monkey presented the biggest tonal challenge. She had to be tough, no nonsense, loyal, and fiercely protective; all without being off-putting or unpleasant. It was very easy to lean too far one way or the other with her voice performances.
The line between Monkey as loving but stern protector, and just being a jerk was razor thin. Luckily, we had a great arc to take her on and, despite her tough exterior, we got to peel the layers back and reveal a deeply loving and complex character underneath. It took a lot of experimenting to get her tone just right. Charlize Theron gave us a wealth of incredible material to choose from. She and our whole cast presented us with the huge challenge of picking perfect takes out of a giant pool of perfect takes.
Published on January 25, 2017